Art is dangerous do not attempt at home, Art can be created anywhere; no fancy studio or equipment is needed. The street is art, and art is the street. Hagas lo que Hagas. Child labor is a serious issue in Mexico, affecting millions of children and their families. Children are often pushed into child labor due to poverty, lack of education, and other challenges their families face. Afterlife Corazon., The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.

The painting of the girl with harmonika. Child labor is a serious issue in Mexico, affecting millions of children and their families. Children are often pushed into child labor due to poverty, lack of education, and other challenges their families face. Afterlife Corazon., The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.

The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.

The large face in the foreground could represent the overwhelming presence of addiction and its all-consuming nature.

Echoes: The phrases “Dead Man in the Room” and “The fastest man in water” might symbolize the isolation and the rapid, uncontrollable descent into addiction.

The text “You played with the dust, the red cells wondered why they stopped” could be a stark commentary on the moment of overdose—when life halts abruptly, leaving only questions and silence in its wake.

Metaphors: The chaotic blend of street posters and graffiti might serve as a metaphor for the turmoil and confusion that surrounds substance abuse and its consequences.

The artwork seems to capture not just the physical act of overdose but also the emotional and societal implications of drug abuse. It’s a poignant reminder of the lives affected and the urgent need for compassion and understanding in addressing this crisis.

Dead Man in the Room, The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.

Planet Earth sounds intriguing! The use of street posters as the base gives it a textured and urban feel.

The central focus on a graffiti ballerina symbolizing the Earth, spinning gracefully, seems to convey the idea of the Earth's delicate yet continuous movement.

The juxtaposition of street art with the representation of the planet through a ballerina offers a unique perspective, blending urban elements with a symbol of natural beauty and harmony.

Discover the beauty and delicacy of our planet with Planet Earth - Collage Graffiti Painting. The use of street posters gives it a textured and urban feel while the graffiti ballerina symbolizes the Earth's graceful movement. This unique piece blends urban art with the beauty and harmony of nature, making it a must-have for any art enthusiast.

Dead Man in the Room, The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.

The work depicts a figure of a heroic-sized woman sitting on a Toilet. She is seen leaning over, her right hand hold a thigh her right leg.

The pose is one of deep thought and contemplation.

The pose that resembles the famous sculpture by Rodin.

The figure is used as an image to represent philosophy.

Your painting, “The Thinker,” is a fascinating blend of street art and symbolism. The collage based on street posters adds an urban and dynamic quality.

The juxtaposition of a graffiti woman on a toilet with a thoughtful pose reminiscent of Rodin’s “The Thinker” is intriguing.

The incorporation of deep thought and contemplation in the figure suggests a connection between mundane moments and philosophical reflection. It’s a thought-provoking piece that plays with contrasts and challenges traditional notions of representation.

The Thinker, The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.

The central focus of the painting is a surfing girl, depicted in black, yellow, and white graffiti art, lying on a surfboard and paddling towards a wave.

Painting representation of freedom and the energy of life. The surfing represents the idea of riding the waves of life, the ocean and sky backdrop add to the sense of freedom and possibility.

The use of mixed media, including street posters and graffiti, creates a dynamic and textured composition that captures the essence of urban street art.

The overall mood of the artwork is dynamic and energetic, capturing the essence of urban street art.

Surfing Life, The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.

Humans must maintain complete control over and responsibility for the behavior and outcomes of AI

Transparency, Discrimination, Ethical, Security Risks, Power, Concentration, Dependence on AI, Job Displacement, Legal and Regulatory, AI Arms Race, Unintended, Consequences, Existential Risks, Humanity

Opportunities for implementing technology to benefit human well-being should prioritize privacy and prevent harmful use against individuals or groups.

Eliza 1966

Humanity is not completed

24/7 Availability, Unemployment, Perform Repetitive Jobs, No Ethics, Make Humans Lazy

Vivir Utopia Algorithm, The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.

The Judgment Day emerges like a revelation from the tangled fabric of urban existence. Imagine a collage—a patchwork of street posters, each whispering its own enigmatic tale.

These fragments, once mundane advertisements or event announcements, now form the very bedrock of our narrative.

But this is no apocalypse. The Judgment Day arrives not with cataclysmic fury, but as a quiet reckoning. Each poster, every stroke of graffiti, bears witness to our shared pilgrimage—a tapestry of humanity woven by the loom of time and circumstance.

Amid the chaos, we yearn for meaning. What will tip the scales of existence? What verdict awaits us when the final poster is pasted, the last tag sprayed? The answers, perhaps, lie concealed in the layers, awaiting discerning eyes to decode their cryptic language.

And then there’s the graffiti—rebellious echoes that defy order. A riot of colors and symbols, it dances across the surface, inscribing defiance and passion. It’s as if the city itself speaks—a chorus of voices, both urgent and timeless.

These posters, once mere sales pitches, now serve a higher purpose. They are fragments of a grander truth—a testament to impermanence and resilience. In this urban collage, I glimpse lives lived, dreams shattered, and hope rekindled. The city’s soul, laid bare.

The Judgment Day unfolds silently, inviting introspection. We ponder our own narratives within this mosaic of chaos and artistry.

The Judgment Day, The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.

Compositions reconstitute torn-up snatches of these popular artifacts, some of which depict advertisements. His pieces feature text, pure blocks of color, and commercial imagery and graffiti placement, all remixed in order to convey humor, eroticism, and sociopolitical critique.

He built posters in which one has been placed over another or others, and the top poster or posters have been ripped, revealing to a greater or lesser degree the poster or posters underneath.

Bringing the streetscape into the space.

Music Art, The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.